In a way, THE WALKING DEAD has it pretty easy these days, when it
comes to critical evaluations. Insofar as viewer expectations are
concerned, the breathtaking idiocy and awfulness that, in season 2,
became its standard succeeded in setting the bar so low that anything
that isn't just as breathtakingly awful and idiotic can't help but seem a
significant improvement.
Such is the case with this
week's installment, "Walk With Me," which takes a break from the main
group of characters and follows, instead, Andrea and Michonne as they
encounter the barricaded town of Woodbury and its secretly villainous
Governor. The ep will, I imagine, take a few hits for its glacial pace.
I've never been particularly bothered by this aspect of the TWD that
devolved last season, except when it's just being used to eat up
screen-time. There was some of that tonight--it's maybe a 28-minute plot
being stretched to cover a 42-minute episode, but that's actually
pretty good by TWD standards. More significantly, the ep dispenses with
the most extreme elements of soap melodrama, even more so than did the
3rd season debut. The creators clearly still view the series through
that lens, and while that remains the case, TWD will never be mistaken
for a high-quality production by anyone qualified to render the
judgment, but dialing back the soap to any noticeable extent will always
feel like a big step up--its absence doesn't even have to be filled
with anything particularly interesting.
And in this case, it isn't. This particular storyline and its
central antagonist are both drawn from the TWD comic, but, as with much
of what the series takes from its source material, noting this unfairly
sleights the book. The comic is, among other things, an open-ended study
of how the end of the world affects those who survive it. Our heroes
struggle to hold on to the important parts of their humanity in a world
were such things feel, increasingly, like burdensome baggage. As one
would expect, those they encounter tend to be deeply damaged in various
ways. When it comes to adapting this, the series got off on a very wrong
foot right out of the gate, when, in season 1, the street hoodlums in
"Vatos"--the first survivors they'd encountered--turned out to be kindly
young fellows guarding a nursing-home full of old people. The rest of
that particular episode is one of the best-written of the series, and
one of the only ones that feels like the comic, but the note that
particular twist struck was so fundamentally wrong that the ep is often
regarded as one of the worst of the first season (and the series
itself). The Governor is the comic's greatest villain, a sadistic maniac
who learned it's good to be the
king. Upon the end of the world, he devolved into barbarism most
excessive, an example of how far people can fall, and a contrast with
our heroes. The series, perpetually aimed at a milquetoast, white-bred,
middle-class, middle America audience, has always soft-pedaled (or
eliminated) the horror elements of the book, and its creators certainly
have no intention of ever offering any glimpses into an abyss as black
as that. David Morrissey would be as miscast playing anything resembling
the comic Governor as was John Wayne playing Genghis Khan. In "Walk
With Me," he does his best impression of Liam Neeson playing an American
southerner, as he goes through the paces of the kinder, gentler,
English-er Governor-In-Name-Only the series' writers have concocted--a
standard b-movie villain part with no thematic point, and, in fact,
nothing to distinguish it from any other b-movie villain part. GINO is
the benevolent ruler in public, while being villainous outside the sight
of the general population of Woodbury.
Andrea takes another beating at the hands of TWD's notoriously misogynistic writers, almost immediately falling for GINO's corny public-face
bullshit and seeming to fall, to some extent, for him, as well. It's up
to Michonne to be skeptical of GINO and his little paradise, but instead of writing her as wisely so, she's being written only as an Angry Black Woman caricature, pissed off, cynical and disapproving of everything without apparent
reason--her part leaves the viewer with the impression she'd react exactly the same way to anyone. Shorn of her sword, she wields at the world her one facial
expression: a perpetually sour look.
As a character, she doesn't yet exist, and rather than developing her
and using her (and Andrea) as our eyes into the world of Woodbury, the
writers leave her at the caricature, and break off to follow the
Governor and his henchmen for long stretches. Her relationship with
Andrea is yet another casualty of the creators' decision to skip so much
time between season 2 and 3. She and Andrea have been together and
surviving the zombie badlands for more than 8 months, but are written as
basically strangers, with no rapport and no apparent understanding of
or trust in one another. When, last season, Andrea was written as in thrall to Shane, another homicidal maniac, Dale tried to warn her; he genuinely cared for her and was trying to look out for her, and she was contemptuous of him for it, and treated him as if she could barely tolerate
him. Now, she's under the spell of yet another homicidal maniac, and,
again, the pattern repeats; she's giving grief to the woman who saved her and has looked out
for her for more than 8 months, merely because that woman is not immediately willing to jump on GINO's bandwagon (or his bones).
Michael
Rooker returned, tonight, as Merle, Daryl's scumbag brother. He's with
the Woodbury gang now, having survived the self-amputation of his hand,
and I'd be lying if I said he wasn't a sight for my own rather sore
eyes. Merle has proven very popular among the TWD fan-base, but one
suspects its really Rooker who is the draw in the equation. That's
certainly the case with me. I was a Rooker fan for a long time before
TWD came along. But it's also true (and rather unexpected) that,
watching him tonight (and his scenes are easily the highlight of this
ep), his character feels like a reminder of a time when the show wasn't
the godawful mess it later became, a time when it still had all the
potential in the world.
Beyond Rooker, "Walk With Me"
is pretty uninteresting. It wasn't, however, actively godawful. It's
unfortunate that this, alone, can make it better than most of the rest
of the series.
--j.
---
NOTE: This ep was also astonishingly poorly directed. Andrea and Michonne, near the beginning, were able to "hide" from GINO and his men, though in plain sight of them, behind a pathetically thin bush or two--Michonne was even able to stand up, openly, and behead her two pet zombies with her sword (who were also standing in the open) without anyone seeing (the zombies had drawn attention by becoming riled up by the sight of GINO and his men, which is in direct contradiction to what GINO's "scientist" says later in the ep--that zombies like them who have had their means to attack people removed lose the desire to attack them). Later, GINO and a handful of his men are able to creep up on and massacre a National Guard unit that outnumbered them and was waiting in a more-or-less open area in zombie country, apparently without having a single look-out posted. There was no firefight, as directed--the Guardsmen just stood around and let themselves be killed by a force they outnumbered.
[Cross-posted to my comics blog]
tl;dr
ReplyDeletesmells alot like pretentiousness and boring in here
ReplyDeleteTalk about screenwriting. You spend all of your time talking about boring melodrama from TWD, when what really happened is that you wrote an article that exemplifies what you accuse TWD of being. Maybe next time, leave out all of the boring parts. I.e. All of it.
ReplyDeleteYou pretty much hit every nail on the head this episode. I've stuck with the show this long just to gush at the great zombie/gore effects by Nicotero and his team every episode. The bad writing and directing is just comedic at this point. Looking forward to your next review.
ReplyDelete